Student’s Science Project Shuts Down Dallas Airport

Found on WebProNews on Wednesday, 04 April 2012
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The device was discovered by authorities near the cockpit of Southwest Airlines Flight 157 after arriving from Kansas City shortly before 4PM on Sunday.

The TSA evacuated gates 3 through 15 as a precautionary measurement against the “deadly” science project. In all, 11 people were detained in connection with the device. The incident caused ongoing flight delays at the Dallas airport, including three that had to be diverted.

As if terrorists are stupid enough to build a bomb that looks like a bomb. I bet all terrorists are laughing about the giant failure which the TSA is. Seriously, they found the science project after the plane landed, which means it was not only brought into the plane without any problems, but also didn't get noticed during the flight. If that would have been a bomb, the plane would have gone down in flames and the TSA would have a tough time to explain its failure; but now they even have the nerve to make it look like they did their job.

EC tears duvet off Universal-EMI mega-music romp

Found on The Register on Friday, 30 March 2012
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As expected, Eurocrats are anxious to probe the mega-merger of Universal EMI, fearing the effect on digital music markets.

Unnamed sources at Universal have briefed journalists that the competitive threat of digital piracy means consolidation should be permitted. Critics have pointed out that the merged entity's 40+ per cent market share would make it the king-maker for digital music services – and that no service would then survive without Universal's catalogue.

I don't really see how this would stop people from sharing music. I however see that this would give U-EMI an unseen dominance on the music market; and that it gives them the power to stop any legal progess in the digital music market which might even just remotely threaten their doomed and old fashioned business model.

Hobbit pub copyright row: Stephen Fry and Ian McKellen to pay licence

Found on BBC News on Thursday, 22 March 2012
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Stephen Fry has confirmed he and Sir Ian McKellen will pay a copyright licence fee so a Southampton pub can carry on trading as The Hobbit.

The pub was threatened with legal action by Hollywood film firm the Saul Zaentz Company (SZC) which accused it of copyright infringement.

Sir Ian, who plays Gandalf in the Lord Of The Rings films, described the film company's actions as "unnecessary pettiness" and Fry said it was "self-defeating bullying".

Nice to see that at least some people still have common sense and are above the copyright swamp.

Only Content Industries Can Create Content People Want, Says MPAA’s Attaway

Found on PaidContent on Thursday, 15 March 2012
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“Our industries do something that no one else can do,” the Motion Picture Association of America’s Fritz Attaway said at the Association of American Publishers annual meeting this morning. “We create content that people want to have.”

“Education is key,” Attaway said. “It is absolutely ridiculous that a movie that cost $100 million to create, a copy of which you paid $20 for, to say that you own that movie and should make any number of copies you want to.”

Sorry to say, but I don't want to have MPAA's content. It's boring and not entertaining. Besides, I want to avoid this industry as much as possible. Productions costs are so high simply because money is wasted and "lost" thanks to creative accounting. When some movie starlet gets paid $10 million for playing in a movie, it's easy to see where those costs are coming from; and frankly, I don't care about those costs. If I'd buy a copy, I consider it my personal property, and with my property I do whatever I want, no matter if they like it or not.

Why The Major Music Companies Are Getting Your Royalties

Found on TuneCore on Saturday, 10 March 2012
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While the major music companies’ revenue from music sales has gone down, they have a brand new increasing income stream: revenue generated from the sale of other people’s music. In the past five years, hundreds of millions of dollars of songwriter royalties have been generated and never paid to the songwriter, or have been given to Warner Bros, EMI, Universal, Sony and others based on their market share- estimates put this new income at over half a billion dollars.

This infringement and lack of payment is one of the biggest outrages of the music industry and yet it is rarely talked about and even more rarely understood.

I bet the RIAA will blame pirates for its creative accounting too.

Warner Bros. Embarrasses Self, Everyone, With New “Disc-to-Digital” Program

Found on Public Knowledge on Tuesday, 06 March 2012
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The head of Warner Home Entertainment Group thinks that an easy, safe way to convert movies you already own on DVD to other digital formats is to take your DVDs, find a store that will perform this service, drive to that store, find the clerk who knows how to perform the service, hope that the “DVD conversion machine” is not broken, stand there like a chump while the clerk “safely” converts your movie to a digital file that may only play on studio-approved devices, drive home, and hope everything worked out. Oh, and the good news is that you would only need to pay a reasonable (per-DVD?) price for this pleasure.

Try to picture the real alternative to this hokum – people making their own copies of their movies at home.

How the entertainment industry managed to stay in business up until know is a true wonder when they come up with ideas like that.

Harvey Weinstein threatens MPAA boycott over R rating

Found on BBC News on Saturday, 25 February 2012
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Movie mogul Harvey Weinstein has threatened to pull out of the Motion Picture Association of America (MPAA) over a film rating given to the documentary Bully.

The R rating means children under the age of 17 will not be able to watch the film, about bullying in US schools, without a parent present.

In a statement, MPAA appeal board chairman Joan Graves said the rating was not a comment on the film's subject matter but was imposed for "some language".

You can show mass shootings, slaughterings and gallons of blood, but when someone says a bad word or shows some skin, the rating goes up. That's a pretty messed up and useless rating system.

Katy Perry's Perfect Game

Found on Planet Money on Monday, 20 February 2012
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Katy Perry had a huge year. She went No.1 five times. She was the most played artist on the radio.

Here's what Katy Perry sold in the United States: 2 million albums and 24 million digital tracks. That's not a lot of albums. That is a LOT of songs. At a dollar a pop.

By my estimate, the record-shattering, chart-topping Katy Perry made her label around $8 million in U.S. music sales.

About $8 million earned from one of the most wanted artists. In the same time, Katy eraned around $44 million. Those $8 million aren't even what she made from the sales; it's what her label earned. Tha proves that artists can do perfectly fine on their own, without the help of an old-fashioned music business which loves to sue its customers.

MPAA to Customers: If You Are Lucky You Can Pay Again For Movies You Already Own

Found on Public Knowledge on Wednesday, 15 February 2012
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This year, Public Knowledge requested an exemption that would allow people to copy movies they own on DVD onto other devices. On Friday, the MPAA submitted its comments to our request.

In the comments, the MPAA said that it was “a mere inconvenience” that people who paid for a movie on DVD cannot transfer that movie to another device. Furthermore, the MPAA insisted that no DMCA exemption was necessary because people who want to watch their movies on the go have other options. What options? Pay them more money, of course.

Of course. That was obvious from the start. The MPAA will never be open to unrestricted usage because they worked hard to limit customers so that they pay for the same again and again.

Sony raised prices on Whitney Houston’s digital music 30 minutes after her death

Found on MediaBeat on Tuesday, 14 February 2012
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But instead of reverence in the wake of Houston’s passing, Sony chose to raise the price of one of her most popular hits collections. The Ultimate Collection album in the U.K. jumped in price by more than 60 percent from £4.99 to £7.99 within 30 minutes of Houston’s death, according to Digital Spy.

Sony Music and Apple did not immediately respond to queries about the price hike.

Remember, it's all only for the artists and never for the pockets of the labels.